Why we do it

Each piece is unique.

I work each one of them from start to finish with my own hands.

From the very first kneading to the last brushstroke.

From the selection of the threads to the framing.

I believe in the value of the contribution of earth, water and fire, they are an essential part of my work.

I believe that the utilitarian should also be seen with the sensitive eyes that appreciate art.

I live and work in Guatemala, the country of eternal spring, its millenary culture and my roots are guides and joy.

Here, weavings and ceramic crafts are a fundamental part of our history.

A complex and extensive history as is the preparation of each of these pieces.

The making of the clay, the drying time, the modeling time, the glazing time and the firing time. A lot of patience, dedication and above all love.

And in the end, letting go; once the piece goes into the kiln, nothing depends on us.

I don't do wholesale production, and it's something I'm proud of.

Remember, in the imperfection of each piece is the soul of the artisan and also of the piece of art.

Pottery >

Textiles >

The craftswoman

My name is Ana Beatriz Silva.

I have been an artist for as long as I can remember and I found in clay and textiles an organic way of communicating and expressing my conviction: the purest materials are an honest bridge to the artistic, handmade and also utilitarian.

With the help of great guides I entered the world of ceramics and the native foot loom, but most of my learning has been entirely a personal exploration through many years of trial and error during my processes.

I think that the legacy of our culture cannot end in one generation of artisans, that the contemporary artists and artisans have the obligation to learn from them, their techniques, their symbols, to continue writing the history of our identity under our own fresh eyes, but with respect and admiration for the wisdom of our ancestors.

Mother, active Architect and professor of Design at UFM

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